INDICATORS ON EXCLUSIVE EXTRACTS 0 27 YOU SHOULD KNOW

Notions of looking and voyeurism are resolved spatially and architecturally in “Good For Me.” In this series, swooping lines develop a sort of peephole effect that reveals Mundt in two unique poses: adopting the posture of Toulouse-Lautrec’s product and tugging at her belly. This gesture, which appears in other paintings in the exhibition, is